The Stanislavsky Method :: essays research papers

When I came off of the stage that first night, I knew what I wanted to do with the rest of my life. I was ecstatic, on a natural high. Suddenly, I had found my place in the homo. As I have gotten older and more experienced, I have intimate that acting is not justreciting lines in front of an audience. There is a technique to acting. It is known as the system, order acting, or the Stanislavsky method.The method was created by Konstantin Stanislavsky, a Russian actor, director,producer and founder of the Moscow Art Theatre which opened in 1898. Stanislavsky had many shortcomings as an actor and worked obsessively to remedy his voice, diction and body movement. As a director and producer, Stanislavsky believed that the mereexternal behavior of an actor was not sufficient to portray the unique inner world of a character. He felt that once an actor felt what the character was feeling, the emotion would then manifest itself physically, making the performance believable. This idea was the basis for the method that Stanislavsky created, now the most(prenominal) common acting style in Western theatre.Stanislavskys method begins with relaxation. He called in an occupational disease. One of Stanislavskys most famous students, Lee Strasberg, believed it to be the actors worst enemy. The exercise Stanislavsky developed for relaxation is meant tohelp the actor run a risk hidden tautness in all muscles of the body, most importantly the face, where most mental tension manifests itself. The exercise begins with the actor sitting in a straight backed, armless chair. First, the actor essential find the position that he or shewould be most likely to sleep in, if absolutely necessary. Then, starting with the fingers and working all the muscles in sequence, finding the tension hiding in each muscle, and will the muscle to relax. The first time I performed this exercise was in BeginningDrama, my freshman year. My instructor, Mrs. Daniels, had each student find a space on the floor and lay down on their back. From there Ms. Daniels went through each of our muscles telling us to relax each adept as we went through them. This exercise helps theactor find where they, personally, hold their tension. Once an actor knows where they hold their tension, they can begin to release it, letting as bantam of themselves show through the character they are portraying.The next exercise in the method is called Sense Memory.